I built this because I needed it first.

I am Talei. Twenty years behind the chair, and for most of them I watched the same thing happen. Someone would bring in a photograph of hair they loved, we would make it beautifully, and it still would not sit right on them.

The colour was not the problem. The starting point was. We were designing from an image instead of from the person in the chair.

Colour analysis gave me the missing step, and studying the Korean approach gave me the precision. Their method is patient, drape-led and deeply structured, and it changed how I plan every head of hair I touch.